Ulrike Fellner | Interior Architecture | Blog
Architecture Interior
interior, design, styling, zurich, bern, Switzerland, interior designer, interior architecture
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BLOG ARCHIVE

Things and places that I am passionate about and inspire me…

Lofty minimalism in a neutral palette meets interior metal and glass doors, playing upon the contrast of white walls and black metal frames...

09 March, 2015

I love these playful reinterpretations of classic, geometric black and white patterns. They bring structure and dynamic on a flat surface, adding an additional textural layer to the design of a space. ...

27 February, 2015

Grey winterdays make me long for lush jungle greens and emerald hues...

20 February, 2015

Three amazing pieces of Italian design from the late 50s and early 60s. Fontana Arte’s occasional table (ca. 1958) and table lamp (ca. 1960) as well as Ettore Sottsass’s mirror (ca. 1957) are refined examples how designers incooperated traditional techniques and forms in the elaboration of modernity for home furnishing and accessories. Defining new ways of contemporary design, focusing on a constant dialogue between shapes, materials, textures and and traditional processes, they bring out the very essence of Italian elegance and sophistication. ...

20 February, 2015

...texture, lines and contrasts ... │ 1. 2. 3 │...

14 February, 2015

The hues and shades of semiprecious stones ...

13 February, 2015

Villa Necchi Campiglio is one of those magical places, where the aura of a certain era survived. Walking through the rooms feels like time travel, and yet the architecture and interiors radiate a very timeless and almost modern quality. Built between 1932 and 1935 by the Milanese architect Piero Portaluppi, the Villa has survived almost intact, both outside and inside. Portaluppi accomplished a synthesis of the arts - from the straight-lined architecture and elegant interiors up to the smallest details of its decorative elements - a true a maserpiece of its time! ...

13 February, 2015

...thinking of Lee Miller´s image of a desert landscape seen through a torn screen (1937) - the contrast of the interior and the exterior world. A thin screen seperates and defines the space. Below is Marcel Duchamp, Piston de courant d’air (1914). In its surrealistic way of contrasting the worlds of the unconscious and the conscious, the fashion shot (2009) kind of embodies and reflects this idea. ... │ 1. 2. 3. │...

24 January, 2015